Jerez guitarist at a zambomba |
Christmas in Spain is yet another great
reason to have a party. The holiday
remains staunchly rooted in the Catholic traditions with a charming twist and
wicked sense of humor provided by Andalucia’s flamenco culture. We spent time this year melding our German
and American traditions with our newly-acquired Spanish villancicos in an
attempt to throw our very own zambomba.
Tuning up for Christmas |
A zambomba is an instrument used mostly
during December to accompany the villancicos (or Spanish Christmas
carols). People gather at bars,
restaurants, private homes, out in the street, parking lots, shopping malls,
and anywhere else the Spanish hang out.
Many of these gatherings are planned and sponsored by bars and
restaurants (a great way to sell a drink), but some also occur spontaneously in
the streets or neighborhoods. Since the
zambomba (the musical instrument) is not the easiest to carry around, they tend
to be a local phenomenon. Here is a
video from my friend Carolina’s zambomba-maker friend:
Me playing a zambomba at a zambomba |
Also common to a zambomba (the party) aside
from a zambomba (the instrument) is one or several singers, and people who know
how to clap (this might sound simple, but believe me, I’ve spend the last two
years learning how to do it!). Guitars,
tambourines, and anis liqueur bottles scraped by a spoon round out the sound,
but are not required. Throw in a
bonfire, and you’ve got yourself a zambomba.
Now all that’s missing would be friends to share it with!
Dancing around the fire at our first-ever zambomba |
I invited everyone I knew for my first
zambomba attempt in early December. And,
given the highly social nature of southern Spain, most everyone showed up, the
most delightful people you could imagine.
My flamenco teacher, Lola de Cai, came to sing along with her guitarist
Alejandro, and we spent the evening way into the morning hours singing, dancing,
eating the Christmas potluck dishes everyone brought, and generally making a
lot of noise, as Todd wanted to show off our amplification system. Lucky we live next to two discos—no one
complained.
(party?)
The rest of December was marked by zambomba
after zambomba, most of which we didn’t attend.
Every corner bar had their own zambomba schedule, and I tried to drop by
those I might have a chance to dance at.
Finally, at the zambomba in Vista Hermosa, with my family arriving just
in time to videotape me, I got my chance, having practiced for hours and my
courage bolstered by my friend Charo dancing first:
Click here to see me dance!
Click here to see me dance!
So where is the wicked sense of humor (aside from the goofy dancing)? In the villancicos, of course. They have been "flamenquized" in both their rhythm and words. Here is a translation of one of my favorites; I had to check to make sure I was understanding the words correctly!
The Virgin, since she's a gypsy,
Is loved by the gypsy men
St. Joseph, since he's not a gypsy
rebels against all this attention
We don't give madroños to the Child
Because they could make him drunk!
Oh yes! Oh no! Rocio is the name of the mother of God
The Virgin, since she's a gypsy,
Is loved by the gypsy men
St. Joseph, since he's not a gypsy
rebels against all this attention
We don't give madroños to the Child
Because they could make him drunk!
Oh yes! Oh no! Rocio is the name of the mother of God
Here’s a link to the song, as well as
several others that we’ve learned to love:
Wise Guy Griffin Gaspar |
Another zambomba we attended was at the
kids’ school, Nuestra Señora de la Merced.
Adrian had a cameo as a shepherd boy, Griffin was the second of the
Reyes Magos, Gaspar, and Tia and Sasha spearheaded their Christmas Dance
presentations. I came in to help the 5th and 6th grade sing “The Little Drummer Boy” and “The Friendly
Beasts” in English as part of our conversation classes I’ve started there! We finished it off by dancing swing to a
Christmas remake of “In the Mood.”
cameo appearance |
In a word:
Christmas in Spain is FUN!